This documentary series tells six inspiring tales of dogs and the extraordinary impact they have the lives of. The story follows Danny and Ron's.ĭogs (Season 1, 2018). Life In The Dog House is incredibly unique, often gaining the title of Netflix's best dog movie to date. He recently led a group of young adults through a wilderness survival retreat in Netflix’s hit show, “Snowflake Mountain.” Tate believes that training and navigation courses always trump gear. Very few people connect with dogs quite like Jas Leverette of Netflix's Canine Intervention - the binge-worthy reality TV show for dog. While the WagWorks dog walkers will teach. Goal is to discover as much as possible about the dog, as well as its home life and training. “.Ī PDSA and YouGov survey shows that 27 per cent of UK. “One of the top dog training facilities in California,” per Netflix. It follows renowned Oakland dog trainer Jas Leverette as he runs Cali K9. “Canine Intervention”, which arrives February 24th, follows renowned Oakland dog trainer, Jas Leverette, as he runs one of the top dog. As the show puts it, “toys, treats, or praise put dogs in a dopamine state and increase their ability to learn.”.īest Anime On Amazon Prime Video – Amazon Prime Video has plenty of great classic and new anime, and these are the very best shows and movies on the streaming. Does the pup prefer playing, new toys, or treats, for example. Find your dog’s motivation: Training is easier to do when you know what motivates your dog.
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Freelancing involves periods of intensive work, but there may be times of inactivity between projects, which you can use to follow up on potential work.When there are deadlines to meet, you should expect to work long hours and overtime. Shift work may be required if editing studios are booked at night. You may be able to do standard office hours for some employers, but a 50-hour working week is likely if you're working on television or feature film projects. Hours of work vary depending on the production. Income figures are intended as a guide only. If you get work through an agency, they will negotiate rates and then take either a percentage or flat fee. Rates vary, so it's best to check for current freelance rates with individual companies or the Broadcasting Entertainment Cinematograph and Theatre Union (BECTU). Most editors work as freelancers and are paid on a contract basis. You may then progress to assistant editor where you could expect to earn more, before reaching the full editor position. At a senior level, your earnings could potentially reach £37,000 to £70,000, but the higher end of this scale is only available to senior editors working on big-budget projects.Ī film/video editor is not an entry-level job and it's normally necessary to start at a lower-paid level, possibly as a runner, where salaries could be around the national minimum wage.With experience as a film or video editor, you could earn £21,000 to £35,000.Starting salaries for assistant editors employed by a television or post-production studio are in the region of £18,000 to £25,000.carry out online editing - and depending on your role you may also finalise technical aspects such as correcting faulty footage, grading and colouring and adding special effects.experiment with styles and techniques, including the design of graphic elements.oversee the quality and progress of audio and video engineering and editing.reorder and fine-tune the content to ensure the logical sequencing and smooth running of the film/video.create a 'rough cut' (or assembly edit) of the programme/film and determine the exact cutting for the next and final stages.digitally cut files to put together the sequence of the film and decide what's usable.input uncut rushes and sound, and synchronise and store them into files on the computer.assemble raw footage, with camera shots, either recorded or transferred onto video tape in preparation for inputting into the computer.work to a brief, and maybe an outline of footage and/or a shot list, script, or screenplay.You may work on a variety of productions, including:Īs a film or video editor, you'll need to: In some instances, you may be given creative freedom, while in others you'll just be required to operate the necessary machines. You'll usually work closely with the director to achieve the desired end result.Įmployment tends to be on a freelance basis, and you'll most likely work on short-term contracts for post-production studios, television companies and corporate employers.ĭigital technology, specialist computer software and high-quality digitisation of sound and pictures have effectively replaced the traditional manual method of cutting film. This is a key role in the post-production process and your skills can determine the quality and delivery of the finished result. Film and video editors use creative and technical skills to assemble recorded raw material into a finished product, suitable for broadcastingĪs a film/video editor, you'll manage material such as camera footage, dialogue, sound effects, graphics and special effects to produce a final film or video product. Use the right-click menu options to compress files directly from Windows Explorer. 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NXPowerLite Desktop can reduce the size of your PDFs, PowerPoints, Word, Excels, Word, Excels, JPEGs, PNGs, and TIFF files quickly. I value the community here and there a great deal and this was shocking to see. I apologize, again, for posting this here, but I didn't know what else to do, I've been a loyal member of that forum and this one for many years. If I was legitimately banned, what do I do? Do I just set up a new account? If so I'll lose all my history.Ĭan I appeal this banning to anyone? It's so mysterious and random. I suspect me being banned may have something to do with the outage. I have always used my full real name as my username here and there, I never say anything controversial or nasty, I just discuss technical details and such. I cannot fathom what might have gotten me banned. Best With Wifi Sony UBP- X700M 4K Ultra HD Home Theater Streaming Blu-ray Player with HDMI Cable 4.5 (1,692) 198 00 259. 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They were all so different and to mush them together felt messy.īut then he thought about the idiosyncrasies of his city’s layout - about how the main landfill is in Zone 3, so close to the city center that even a simple rain sends a plume of garbage odor wafting through much of the city. He agreed, but struggled to think of a way to organize the hodgepodge of stories. Pensamiento lives in Zone 2, a lower- to middle-class residential area that he said is turning into a “ zona hipster.” His zone made international headlines during a tropical storm in 2010 with a sinkhole so deep you couldn’t see its bottom.Ī few years ago, someone approached Pensamiento (whose last name translates to “Thought”) about publishing some of his short stories about urban life. He questioned people from time to time over three decades, and the answer was often the same: “¿Saber?” (Guatemalans use the verb meaning “to know” as a way to say “who knows?”) Then, one day, he felt a rush of excitement upon meeting an urban architect - this guy has to know, he thought. Her ignore-it-and-move-on answer sparked a gnawing curiosity in Pensamiento. Pensamiento and his friends looked at one another, puzzled, and asked her why there wasn’t a 20. She counted all the way to 19 and then bounced to 21. He remembers the day in first grade when his teacher taught the class about the city’s zones. In a bit of local gallows humor, when someone dies in Guatemala City, some people say, “ Se fue para la zona 20” - “He’s gone to Zona 20.”įor Juan Pensamiento, a 38-year-old artist, writer and legal advisor, figuring out the story behind Zone 20 became a near obsession. The most infamous, though, is the missing Zone 20.Ī misconception caught on several years ago, said Ángel Higüeros, chief of cartography in the municipality’s office of land registry, that the city cemetery was located in Zone 20. In rectangle-shaped Zone 19, sometimes called “the island” because it floats separate from the rest of the city, someone posts about traffic congestion. Instead, there are pictures of the new skate park in the zone’s Paraíso II neighborhood - second paradise, it’s called. In the zona whose name often lands in headlines like “Women’s bodies found in a ravine in Zone 18,” the Facebook page carries no mention of violence. There’s a food truck event in Zone 1 - the bustling center with a reputation for both its pickpockets and its gentrifying pockets - and there’s serious flooding on 9th Avenue in Zone 7, one of the city’s most dangerous. People use the pages to post pictures of a tan chow chow named Sony who went missing from Zone 19 or to tell their leaders in Zone 5 about annoying potholes. The municipality’s website skips the same three as Wikipedia and links to each zone’s Facebook page. Nuestro Diario, a newspaper in Guatemala City, offers a post saying that there are 25 zones but that a few them technically belong to other municipalities. WikiTravel, an online travel guide, says 21, and Wikipedia puts the number at 22, saying they go up to 25, but that zones 20, 22 and 23 are missing. How many zones exist depends on whom you ask. On top of the numerical zones, the city’s Zone 10 is also called Zona Viva - the “lively zone” jammed with hotels and bars and nightclubs - and the poorest and most dangerous spots get branded una zona roja (a red zone). It’s kind of a mirror image of Paris’ 20 arrondissements, which spiral out clockwise. The zones start near the city’s center, with Zone 1, the oldest part of the capital, home to the national palace and the central market. “¿ Zona?” taxi drivers often ask as you hop in. In a sprawling city such as Guate, zones are a quick way to give people a rough estimate of the spot you’re talking about. No explanation was forthcoming on why three zones, including 20, were missing. Two decades later, as the city grew, leaders voted on a resolution laying out the boundaries of zones 1 through 25. SIGN UP for the free Great Reads newsletter >ĭesigned as a way to give shape to a swelling metropolis, officials approved the zonification of Guatemala City - often Guate (pronounced “wah-te”) to locals - in 1952, according to the municipality’s website. “The municipality,” he said, his voice rising an octave at the last syllable, enough to let you know he was really asking the question, not answering it. Posed with another question - “Who are they?” - he shrugged. “Who knows why they jumped over 20 and 22,” he said, laughing.
That behaves like any other transposing instrument (clarinet, sax, etc) and of course the modern valve horn can play a complete chromatic scale. The transposition is defined by the name of the instrument (for Horn in G, written C sounds as G, etc)įor "modern" horn parts, use the Horn in F *with* a key signature, not the one without. We can play in one position (using 5 frets). How to Play a Chromatic Scale Like any other scale, we can play chromatic scales in different ways on the guitar. The horn in F sounds a Perfect 5th lower than concert pitch. White GENERAL CONCEPTS The horn is a transposing instrument. In layman’s terms, this means all the notes. Army Field Band French Horn Fundamentals 81 French Horn Fundamentals by Sergeant First Class Patrick M. The simple answer is that the chromatic scale. Officially, the chromatic scale is a twelve-tone scale starting on a root note and moving by half-steps only. The instrument could only play the notes of the harmonic series (written C G C E G C D E etc) so using a key signature didn't really make sense. The chromatic scale may be the single most important scale for a musician to practice. These were always written without key signatures, hence "no key". (A horn in E could only play sounding G sharps not G naturals, so it wasn't very useful in E minor!) For example a piece in E minor would typically use horns in two different keys, G and B natural, so between them they could play most of the notes in the E minor scale. In music up to the mid 19th century, these were used in a wide selection of keys. Press down both valves and place your lips around the mouthpiece. Then, using your right hand, place your index finger on the first valve and your pinky finger on the third valve. The "no key" horns are meant for natural (valveless) horns. To play the chromatic scale on the French horn, start by finding middle C on the piano. And I’m sure to throw away, file, or shred everything as soon as it’s appropriately captured. Any new commitments I add to my calendar, new reference material to Evernote, and new open loops to Things. Next, I go through any mail or other papers that have accumulated in my physical inbox. These first two items make up Part I of my review, making sure there’s no emergencies and laying the foundation for what comes after: My rule of thumb is to look two weeks into the past, for anything I need to follow up on, and 4 weeks into the future, for anything I need to start preparing for. Nothing too unconventional here: I put down any new commitments, and review existing ones to get a sense of the week. The next item is the calendar, since I want to know what the hard landscape of my day and week looks like as early in the day as possible. I’m not doing anything, just deciding what needs to be done. That’s why I follow One-Touch to Inbox Zero, starting with the oldest email and making a decision about where to send each one: to 1) my calendar app, Busycal 2) my task manager, Things 3) my reference app, Evernote or 4) my read later app, Instapaper. There is a risk here - that the sheer quantity and urgency of my emails will throw me straight into the vortex, drowning me in adrenaline. I start with email, because no other decision I make will be correct without the latest information. Let’s walk through the checklist step by step. This confidence produces an almost meditative state as I proceed through the list one item at a time. I’ve put enough design thinking into it that, in the moment, I trust that all open loops will be appropriately handled. I follow the same steps in the same order. It doesn’t matter if I’m checking in after a couple calm days of work, or returning from 3 weeks of vacation. It can handle any type of information, from any source, in any quantity, over any period of time. Here is the checklist, which I keep in a little yellow stickie note on my desktop:īut this short checklist represents something very meaningful to me: the ability to go from total chaos to total clarity in 15–30 minutes. But its simplicity illustrates the Weekly Review’s real potential once you get it nailed down: to free up time, attention, stress, and overwhelm far out of proportion to the time it takes. It is deceptively simple, and not necessarily right for everyone. I’ve spent a tremendous amount of time and energy testing and tweaking and thinking about my own weekly review, and I’d like to take you through it here. I know someone is ready to be their own Workflow Designer when they start challenging my rules and prescriptions with well-reasoned principles of their own. In my trainings and courses, I attempt to create a supportive environment where people feel safe enough to attempt to design their own. It is the backbone of everything else that happens during your week the master program on which all other programs run the environment that creates the context for hundreds of small decisions and behaviors.ĭesigning operating systems is also one of the most challenging feats in the software business. I think a good model for thinking of the Weekly Review is as an operating system. It becomes an exercise in stoic determination, sticking to the plan in hopes of uncertain future rewards. This instability creates an intense cognitive dissonance around Weekly Reviews - we know we should get good at this practice, and yet we also feel in our bones it is not worth the effort required. They take long enough to require dedicated focus, yet not long enough that it would make sense to dedicate a full cycle. They are too consistent to fall into the “opportunistic, when needed” bucket, yet not consistent enough to fall into the “daily routine” bucket. They happen frequently enough to be lynchpins in your weekly productivity, yet not often enough to be natural habits in your daily productivity. I think I know why, based on my experience with habit formation: weekly habits exist on an unstable middle ground. Allen has noted and I have seen many times in my own work, that even dedicated GTD practitioners have trouble maintaining the cadence of weekly check-ins at a higher horizon. Yet it is also the most difficult habit to maintain. In his book Getting Things Done, David Allen calls the Weekly Review the “Master Key to GTD.” He claims it is the single most critical habit one must adopt to capture open loops, manage commitments on an ongoing basis, and maintain a “mind like water.” The addition of Smart and Garrett to a rotation of Ricky Calloway, Daryl Thomas, and Steve Alford gave the Hoosiers a formidable force heading into the season. Indiana had graduated four players in 1985-86, but welcomed highly-touted junior college studs in big man Dean Garrett, and lightning-quick guard, Keith Smart. The three aforementioned had come close the previous season, but not close enough. Bob Knight had never had a group of four-year graduating players not leave Bloomington without winning a Big Ten title. Heading into the 1986-87 season, three seniors, Steve Alford, Todd Meier, and Daryl Thomas, knew that time was running out to make a splash during their Indiana careers. Feinstein was granted unprecedented access to the Indiana basketball squad, which ended the season 21-8 overall (13-5 in the Big Ten Conference) with a shocking ousting by the hands of 14-seed Cleveland State in the NCAA Tournament. John Feinstein immortalized the 1985-86 Indiana Hoosiers in his bestselling book, A Season On The Brink. Most Indiana fans, however, remember, the ’85 Big Ten season in one particular moment. This included 6 losses in their final 7 conference games. The 1984-85 season was not kind to Coach Bob Knight and his Indiana Hoosiers.įor a team that was expected to contend for a Big Ten title, IU finished with a record of 19-14 overall, including 7-11 in Big Ten play. From time to time, these awards will come up for auction, but for the most part, they are rare and sought after. Additionally, three plaques would be created: one for the student athlete, one for the university/college, and one for Chevrolet. The collegiate athlete honored would have a donation made in his/her name at their college or university by Chevrolet. Collector’s Note: For many years, Chevrolet has awarded honors for a “player of the game” in college basketball. |