Freelancing involves periods of intensive work, but there may be times of inactivity between projects, which you can use to follow up on potential work.When there are deadlines to meet, you should expect to work long hours and overtime. Shift work may be required if editing studios are booked at night. You may be able to do standard office hours for some employers, but a 50-hour working week is likely if you're working on television or feature film projects. Hours of work vary depending on the production. Income figures are intended as a guide only. If you get work through an agency, they will negotiate rates and then take either a percentage or flat fee. Rates vary, so it's best to check for current freelance rates with individual companies or the Broadcasting Entertainment Cinematograph and Theatre Union (BECTU). Most editors work as freelancers and are paid on a contract basis. You may then progress to assistant editor where you could expect to earn more, before reaching the full editor position. At a senior level, your earnings could potentially reach £37,000 to £70,000, but the higher end of this scale is only available to senior editors working on big-budget projects.Ī film/video editor is not an entry-level job and it's normally necessary to start at a lower-paid level, possibly as a runner, where salaries could be around the national minimum wage.With experience as a film or video editor, you could earn £21,000 to £35,000.Starting salaries for assistant editors employed by a television or post-production studio are in the region of £18,000 to £25,000.carry out online editing - and depending on your role you may also finalise technical aspects such as correcting faulty footage, grading and colouring and adding special effects.experiment with styles and techniques, including the design of graphic elements.oversee the quality and progress of audio and video engineering and editing.reorder and fine-tune the content to ensure the logical sequencing and smooth running of the film/video.create a 'rough cut' (or assembly edit) of the programme/film and determine the exact cutting for the next and final stages.digitally cut files to put together the sequence of the film and decide what's usable.input uncut rushes and sound, and synchronise and store them into files on the computer.assemble raw footage, with camera shots, either recorded or transferred onto video tape in preparation for inputting into the computer.work to a brief, and maybe an outline of footage and/or a shot list, script, or screenplay.You may work on a variety of productions, including:Īs a film or video editor, you'll need to: In some instances, you may be given creative freedom, while in others you'll just be required to operate the necessary machines. You'll usually work closely with the director to achieve the desired end result.Įmployment tends to be on a freelance basis, and you'll most likely work on short-term contracts for post-production studios, television companies and corporate employers.ĭigital technology, specialist computer software and high-quality digitisation of sound and pictures have effectively replaced the traditional manual method of cutting film. This is a key role in the post-production process and your skills can determine the quality and delivery of the finished result. ![]() Film and video editors use creative and technical skills to assemble recorded raw material into a finished product, suitable for broadcastingĪs a film/video editor, you'll manage material such as camera footage, dialogue, sound effects, graphics and special effects to produce a final film or video product.
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